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Volume 10 No. 4 Fall 2000 |
| BC Archival Preservation Service |
Environmental Standards for Archives in Canada
The Canadian Council of Archives has recently published Guidelines for Humidity and Temperature in Canadian Archives.(1) This publication by Stefan Michalski of the Canadian Conservation Institute attempts to explain the recent reevaluation of relative humidity and temperature standards in archives and other heritage institutions. Michalski also offers some low, moderate and high cost practical strategies for the long-term preservation of a range of archival materials.
In the last few years the accepted relative humidity and temperature standards have been re-evaluated. Prior to this re-evaluation it was generally accepted that minimal fluctuation of both temperature (+/-2° ) and relative humidity (+/-3 to 5%) was considered optimum for the long-term preservation of collections. Maintenance of these setpoints was often difficult, costly and required sophisticated HVAC systems. Because of these reasons, in part, setpoint fluctuations were reviewed to determine what damage could be anticipated from allowing wider setpoint fluctuations.
The control of both relative humidity and temperature is important because both can have a profound affect on the life expectancy of your collection. A general rule is that with every 5° C increase in temperature reaction rates double. Or to put it another way archival records stored, for example, at 20° C records will have half the life expectancy of those stored at 15° C. The general rule for relative humidity is "half the RH, more than double the life".(2) Of course, there are limits as to the practical control and desirability of greatly reduced temperatures and relative humidity to various media.
A current theory is that as most archival records come to an archives from an uncontrolled environment (an office, historic house, basement) they have already been subjected to wide fluctuations in relative humidity and temperature and so much of the damage that is caused by these fluctuations has already occurred. Because of this, it is now thought that the stringent environmental standards set for the long-term preservation of archival collections can perhaps be somewhat relaxed. The need for control of relative humidity and temperature fluctuations is still required but the allowable setpoint fluctuations could be increased.
Michalski ranks archival records based on their chemical and mechanical stability. Three categories of archival records based on their chemical stability are listed: high, medium and low chemical stability. (For a more complete list see the Information Bulletin).
High chemical stability includes: rag paper, parchment, alkaline paper, most black and white silver gelatin photographs etc
Medium chemical stability includes: mildly acidic papers, most black and white silver gelatin negatives etc.
Low chemical stability includes: strongly acidic paper, poorly processed photographs, most colour photographs etc.
Mechanical damage to archival records is ranked by comparing high, medium and low vulnerability records against +/- 5, 10, 20 and 40% relative humidity fluctuations. The damage is ranked qualitatively -none to tiny; none- small damage etc. In Table 4 – Estimated Mechanical Risks to Records - it is only at the +/- 20% fluctuation level that small-severe damage is noted. However, as the footnote points out mechanical damage refers to irreversible deformation, fracture, and delamination. This damage is cumulative so that several thousand fluctuations of "small’ can accumulate to ‘severe’.(3)
Michalski has compiled data from a variety of sources regarding the effects of chemical and mechanical actions on archival materials. From this "Guidelines and Strategies – cost-saving and low, low/moderate-cost strategies" were compiled with regard to relative humidity and temperature recommendations.
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"Guidelines and Strategies" |
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Low/Moderate Cost Strategies |
Moderate/higher Cost Strategies |
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Record Type |
Temp |
RH |
Storage Required |
Temp |
RH |
Storage Required |
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Medium stability |
If summer > 25° C then A/C to 20° C |
Low as possible – don’t overtax system |
High value records – moisture proof encl. |
Extend winter cond. Year round e.g.. 10° C |
Extend winter RH e.g.. 30% |
HVAC |
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High value Low stability |
5° C – |
40-65% - uncontrolled RH floats |
Refrigerated room/Cold storage vault |
Cold storage e.g. 5° C +/- 2° C |
50% +/- 10% |
Refrigerated room/Cold storage vault |
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Low stability- all but magnetic mead |
-20° C |
50% |
CMI system or other like system - records must be in room with RH less than 50% when packed |
-20° C |
CMI system or other like system(4) - records must be in room with RH less than 50% when packed |
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Records – high vulnerability to RH fluctuations |
Cool |
50% +/- 10%/week setpoint drift to 60% in summer and 40% in winter okay |
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Records – require to maintain precise dimensions e.g. aerial photos |
18-25° C +/- 2° C in one day |
45-55% +/_ 5% |
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So, how do we interpret this re-evaluation of environmental standards and what does it mean in practical terms to small archives with a limited budget and a "one size fits all" storage environment? Well…..
1. A cooler, drier environment benefits the entire archival collection.
2. For medium to low chemical stability records such as cellulose acetate and cellulose nitrate negatives and most colour photographs cold storage is the way to proceed.
For information on cold storage for photographic collections contact the BC Archival Preservation Service. If you would like a "Cold Storage for Photographic Collections" workshop scheduled for your region contact:
Deidre Simmons
AABC Advisor and Education Coordinator
1513 Laurel Lane
Victoria, BC
Tel: 250.595.2932
dsimmons@aabc.bc.ca3. Archival storage boxes can provide an effective microenvironment which minimize relative humidity fluctuations within the box, and hence the relative humidity fluctuations affecting the records stored within the box. To determine the efficacy of this in your collection area implement an environmental monitoring program. One effective method is to use two dataloggers to monitor the environment simultaneously. One datalogger is used to monitor the relative humidity and temperature in the room and the other datalogger is used to monitor the relative humidity and temperature within the archival storage box. At the end of the reading period, the data from the two locations should be evaluated to determine what is happening inside the box and what, if any, modifications should be made with regard to relative humidity and temperature control within the room.
4. For a mixed collection (high, medium and low chemical stability and variable mechanical stability) the weaker links (e.g. magnetic media) define the storage requirements. Therefore, the cooler and drier the environment the better, without going down to cold storage temperatures. So what does this mean in terms of target temperature and relative humidity? A good compromise for a mixed collection would be 45% +/- 10% and 18- 20° C. The temperature could be lower as long as the relative humidity could still be kept at 45% relative humidity.
5. How can you achieve and maintain a relatively stable 45% +/- 10% and 18- 20° C? For most small archives with one or two storage rooms the use of portable humidifiers and dehumidifiers is definitely an option in creating the appropriate storage environment.
So in conclusion, I would suggest that it is worth the effort required to read the CCA Information Bulletin 15 - Guidelines for Humidity and Temperature in Canadian Archives. In addition to the practical suggestions offered in ‘Guidelines and Strategies- Cost Savings and low-cost strategies" the comprehensive footnotes provide interesting, useful and essential background information.
References:
(1) Michalski, Stefan.Guidelines for Humidity and Temperature in Canadian Archives, Canadian Council of Archives Preservation Committee Information Bulletin 15, Canadian Council of Archives, Ottawa, 2000.
(2) Michalski 2000:3
(3) Michalski 2000:11
(4) McCormick-Goodhart, Mark.Methods for Creating Cold Storage Environments, Care of Photographic Moving Image & Sound Collections, Institute of Paper Conservation, Leigh Lodge, 1999.
© 2000 Archives Association of British Columbia